THE CHIEF MC
Over 100 recorded songs
3M+ Annual Music Streams
8 Music Awards Artist of the Year
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A revolutionary journey in hip hop
Trailblazing Indigenous Artist
Since founding Red Vinyl Records in 1992, Litefoot independently released ten award-winning albums, toured to over 400 Tribal nations and overseas, and earned “Artist of the Year” and “Best Male Artist” honors from the Native American Music Awards. His high-energy performances—part concert, part movement— created an indigenous genre in hip-hop that’s inspired generations. With a 100k+ social media following and over 3M+ song streams annually – Litefoot’s music, voice, message, and mission remain as powerful as ever.
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Explore Litefoot's Music
An Iconic Music Catalog
Relentless Pursuit (2008)
Description
With 13 original tracks and more than 55 minutes of music, Relentless Pursuit captures Litefoot in full command of his artistry. The album blends hard-hitting production, razor-sharp lyricism, and cultural pride, reinforcing his position as one of Indigenous hip-hop’s defining voices. From radio-friendly cuts to raw street anthems, Litefoot shifts seamlessly between lyrical styles and creative production – while keeping his core message intact. Standout tracks like “I Am It,” “The Chief,” “I’m So Fresh,” “My Chick,” and “Walk Funny” show both his versatility and his longevity. Relentless Pursuit stands as a powerful, focused statement in Litefoot’s catalog—Indigenous, driven, confident, and crafted with intent.
Key tracks: “I Am It,” “The Chief,” “I’m So Fresh,” “My Chick,” “Walk Funny.”
Redvolution (2004)
Description
Winner of the Indian Summer Music Award for Best Rap/Hip Hop Album, Redvolution is Litefoot’s direct response to the continued stereotyping and misrepresentation of Indigenous people. Recorded in the wake of mainstream controversies, the album confronts racism, hypocrisy, and internal community challenges with sharp, uncompromising lyricism. Litefoot’s approach is both confrontational and educational—forcing listeners to walk in his shoes while also pointing toward solutions. It’s a record that blends cultural pride with raw social commentary, cementing Litefoot’s role as both artist and activist.
Key tracks: “Equality,” “Speak Truth,” “Free From the Lies,” “Sometimes.”
Native American Me (2003)
Description
Winner of the Native American Music Award for Artist of the Year and the Indian Summer Music Award for Best Hip Hop/Rap Album, this project marked another milestone in Litefoot’s groundbreaking catalog. Blending Indigenous sounds, chants, and his signature “Tribalistic Funk,” Litefoot pushed his artistry into new territory—balancing club anthems, street heat, and deeply personal tracks. Standouts include the high-energy “Cynammon,” the gritty “Unphazed” and “Trybe,” and conscious cuts like “The Declaration,” “Medicine Fathers,” and “Foot Note.” The heartfelt “Pop,” dedicated to his grandfather, showcases Litefoot’s range beyond hip-hop bravado, making Native American Me a defining work of his career.
Key tracks: “Cynammon,” “Unphazed,” “Trybe,” “The Declaration,” “Medicine Fathers,” “Pop.”
The Messenger (2002)
Description
Winner of the Native American Music Award for Best Male Artist, The Messenger is one of Litefoot’s most powerful and inspirational works. Known for its uplifting messages and unique fusion of hip-hop with traditional Native sounds, the album broke new ground in production and artistry. From the humorous yet pointed anti-mascot anthem “Stereotipik” to the high-energy “Supa Chief” and the motivational “Rise,” the record resonates across generations. With tracks like “The Message,” “The Coming,” “Inside Out,” and “Kreator,” The Messenger stands as both a cultural statement and a hip-hop classic.
Key tracks: “Stereotipik,” “Supa Chief,” “Rise,” “The Message,” “The Coming,” “Inside Out,” “Kreator.”
Tribal Boogie (2001 / Remastered 2025)
Description
Winner of the 2002 Native American Music Award for Best Rap Album, Tribal Boogie delivers hard-hitting production and sharp lyricism that underline why Litefoot has long been one of Indian Country’s leading MCs. The album rides on heavy beats, signature storytelling, and a confident presence that pushes his sound forward. The title track “Tribal Boogie” brings pure energy, while “Spread N Hustle” shows a glimpse into the “by any means necessary” mentality that drives Litefoot to continue to raise the bar as an artist. With guest appearances from other Indigenous rappers and standout production from Slim, the project blends culture, swagger, and hip-hop grit—solidifying its place as another classic in Litefoot’s catalog.
Key tracks: “Tribal Boogie,” “Spread N Hustle,” “Count Coup,” “Do Ya Dirty,” “I See You Mine (Ghetto Queen),” “Game Tight,” “My Mystery.”
Rez Affiliated (1999)
Description
Winner of the American Music Award for Rap Album of the Year, Rez Affiliated captures Litefoot at his most personal and versatile. The album explores betrayal, love, fatherhood, and cultural pride with a balance of vulnerability and confidence. From the emotional depth of “Even Through the Lies” and “Sugaman” to the anthemic “Native Pride 2K,” Litefoot delivers a universal message grounded in Indigenous experience. The standout collaboration “Mystical Shaman MC’s” featuring Grammy winner Coolio underscores the album’s crossover appeal, while tracks like “The Visit” and “Native Honey” showcase his evolution as both artist and storyteller. Rez Affiliated is a soulful, hard-hitting milestone in Litefoot’s journey.
Key tracks: “Native Pride 2K,” “Mystical Shaman MC’s” (feat. Coolio), “Even Through the Lies,” “Sugaman,” “The Visit,” “Native Honey.”
Litefoot Presents… The Sounds of Indian Country (1999)
Description
One of the best-selling Native music compilations of its time, The Sounds of Indian Country brings together a rich mix of traditional and contemporary Indigenous music in a single listening experience. Curated by Litefoot, the album features Onondaga songs reminiscent of those he performed in The Indian in the Cupboard, alongside powwow tracks, stomp dance songs, contemporary flute music, and a few laid-back rap cuts. The result is an accessible, culturally grounded collection that appeals to listeners of all backgrounds. It remains a standout project for anyone seeking an authentic and varied introduction to both traditional and contemporary Indigenous music.
Key elements: Onondaga songs, powwow songs, stomp dance songs, contemporary flute music, accessible rap tracks.
The Life & Times (1998)
Description
Winner of the Native American Music Award for Rap Album of the Year, this album captures Litefoot’s ability to blend authentic hip-hop with unapologetic Indigenous identity. Clever skits tie the record together, giving it a cinematic flow while each track speaks to different corners of the culture—street anthems, cruising tracks, and conscious reflections. With fan favorites like “Native Pride,” “NDN Goddess,” “Whut! Whut!,” “Summer Nights,” “Vision Quest,” and “Chief Don Dada,” The Life & Times remains a defining record that bridges hip-hop credibility with Indigenous pride.
Key tracks: “Native Pride,” “NDN Goddess,” “Whut! Whut!,” “Summer Nights,” “Vision Quest,” “Chief Don Dada.”
Good Day To Die (1996)
Description
Winner of the Native American Music Award for Best Rap Album, this release set a new standard for Indigenous hip-hop. The title, drawn from the Lakota leader Crazy Horse, reflects Litefoot’s warrior perspective—confronting modern Native struggles with honesty and power. Good Day to Die earned national radio play and international exposure, establishing itself as a cornerstone of Litefoot’s career. Produced by Tony G and featuring guest appearances by Kid Frost, The G’Fella’s, and Foesum, the album delivers unfiltered commentary on history and everyday Native life. Still regarded as a classic, it remains one of Litefoot’s most influential works.
Key tracks: “NDN Summer,” “Call Me Hostile,” “My Land,” “Cruizin’ Round,” “On A Mission.”
For My People (1996)
Description
For My People — Single by Litefoot
For My People is Litefoot’s bold, soulful Indigenous anthem—blending tribal rhythms with sharp, purposeful lyricism to create a powerful call for Native pride, unity, and resilience. Built on a “tribally-infused” groove that merges traditional elements with contemporary hip-hop, the track moves through themes of hope, frustration, honor, and urgency. Litefoot’s delivery channels both the struggle and the strength of Indigenous peoples, grounding the song in cultural truth and community solidarity. With its signature “Tribalistic Funk” production and heartfelt message, For My People stands as a tribute to Indigenous identity and a reminder to uplift, protect, and stand with the people.
Native Tongue (1993)
Description
Native Tongue — single by Litefoot
Originally released in 1993 and reissued in 2016, Native Tongue stands as one of the earliest and most influential conscious Native hip-hop anthems. Driven by powwow drums and vocables, cultural elements, and hard, unfiltered lyricism, the track fuses Native identity with modern hip-hop in a way that helped shape the future of Indigenous rap. Its message of activism, pride, and resilience set the tone for Litefoot’s later work, creating a powerful sonic bridge between tradition and contemporary hip-hop.
